For a long time, I have been wondering about the origin of the German wordlist in the Intercontinental Dictionary Series (Key and Comrie 2016. Not only are many of the words given as translations for the large concept list of 1310 items very archaic variants, which are no longer in use, we also find many annoying problems, such as unusual spellings (consequently avoiding the letter “ß”, which is still in use, even if some people think differently), wrong translations, and, of course, no phonetic transcriptions. Already during my doctoral studies, I therefore started to work on a refined list, but I soon had so many other things on my plate, that I never really managed to finish this work. Recently, however, I realized that my previous work which I had done years ago was far more complete than I had thought, and I had even added information on potential borrowings, extracted from Kluge’s (2002) etymological dictionary. Given that this list can come in handy in various ways, I decided to finish the work and publish the list officially in a very first version.
Establishing a standardized annotation framework for communicating rhyme judgments identified in historical texts will both ease the use of computational tools for rhyme analysis, and hopefully inspire greater collaboration amongst scholars interested in historical linguistics. The framework we have proposed (List, Hill & Foster 2019), was designed with simplicity, exhaustiveness, and flexibility in mind (p. 30), with the intension of eventual inclusion in the Cross-Linguistic Data Formats initiative (https://cldf.clld.org). Further testing of the framework is desired to demonstrate its utility and identify areas requiring refinement. This study presents such a test on rhyming in the Cang Jie pian 蒼頡篇, an ancient Chinese scribal treatise only recently reconstructed from a complex corpus of surviving manuscript fragments. In a follow-up study, the proposal will be formally evaluated by providing code to test the annotations.